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Cytaty


       ...by Jim Morrison

  • I am the Lizard King. I can do anything.
    Jestem Królem Jaszczurem. Mogę uczynić wszystko.

  • A friend is someone who lets you have total freedom to be yourself.
    Przyjaciel to ktoś, kto pozostawia ci całą wolność bycia sobą.

  • Expose yourself to your deepest fear; after that, fear has no power, and the fear of freedom shrinks and vanishes. You are free.
    Pokaż się swojemu najgłębszemu strachowi; wtedy strach traci swoją moc, kurczy się i znika. A ty jesteś wolny.

  • We're like actors, turned loose in this world to wander in search of a phantom, endlessly searching for a half- formed shadow of our lost reality. When others demand that we become the people they want us to be, they force us to destroy the person we really are. It's a subtle kind of murder. The most loving parents and relatives commit this murder with smiles on their faces.

  • I think of myself as an intelligent, sensitive human with the soul of a clown, which always forces me to blow it at the most important moments.
    Uważam siebie za inteligentnego, wrażliwego człowieka o duszy klowna, która przejmuje nade mną kontrolę w najważniejszych chwilach.

  • I think the highest and lowest points are the important ones. Anything else is just...in between. I want the freedom to try everything.
    Myślę, że najwyższe i najniższe punkty są najważniejsze. Wszystko inne jest tylko... pomiędzy. Chcę wolności by wszystkiego spróbować.

  • I'm kind of hooked to the game of art and literature; my heroes are artists and writers.
    Zostałem przykuty do gry sztuki i literatury; moi bohaterowie są artystami i pisarzami.

  • If my poetry aims to achieve anything, it's to deliver people from the limited ways in which they see and feel.

  • I'm a word man. See, there's this theory about the nature of tragedy, that Aristotle didn't mean catharsis for the audience but a purgation of emotions for the actors them- selves. The audience is just a witness to the event taking place on stage.

  • When you make your peace with authority, you become an authority.

  • Los Angeles is a city looking for a ritual to join its fragments, and The Doors are looking for such a ritual also. A kind of electric wedding. We hide ourselves in the music to reveal ourselves.

  • We are from the West. The world we suggest should be of a new wild West, a sensuous, evil world, strange and haunting. The path of the sun.

  • A hero is someone who rebels or seems to rebel against the facts of existence and seems to conquer them. Obviously that can only work at moments. It can't be a lasting thing. That's not saying that people shouldn't keep trying to rebel against the facts of existence. Someday, who knows, we might conquer death, disease and war.

  • Let's just say I was testing the bounds of reality. I was curious to see what would happen. That's all it was: curiosity.

  • It's a search, an opening of one door after another. Our work, our performing, is a striving for a metamorphosis. Right now, we're more interested in the dark side of life, the evil thing, the night time. But through our music, we're striving, trying to break through to a cleaner, freer realm. Our music and personalities as seen in the performance are still in a state of chaos and disorder, with maybe an element of purity just showing. Lately, when we've appeared in concert, it's started to merge.

  • Think of us as erotic politicians.

  • The only time I really open up is on stage. I feel spiritual up there. Performing gives me a mask, a place to hide myself where I can reveal myself. I see it as more than performing, going on, doing songs, and leaving. I take everything personally, and don't really feel I've done a complete job unless we've gotten everybody in the theatre on common ground.

  • I see myself as a huge fiery comet, a shooting star. Everyone stops, points up and gasps "Oh look at that!" Then- whoosh, and I'm gone...and they'll never see anything like it ever again... and they won't be able to forget me- ever.

  • I offer images- I conjure memories of freedom that can still be reached- like the Doors, right? But we can only open the doors, we can't drag people through. I can't free them unless they want to be free. Maybe primitive people have less bullshit to let go of, to give up. A person has to be willing to give up everything- not just wealth. All the bullshit that he's been taught- all society's brainwashing. You have to let go of all that to get to the other side. Most people aren't willing to do that.

  • I've had a good time these last three or four years. I've met a lot of interesting people and seen things in a short space of time that I probably would not have run into in twenty years of living. I can't say I regret it. If I had it to do over, I think I would have gone for the quiet, undemonstrative artist, plodding away in his own garden.

  • The birth of rock & roll coincided with my adolescence, my coming into awareness. It was a real turn-on, although at the time I could never allow myself to rationally fantasize about doing it myself. I guess all that time I was unconsciously accumulating inclination and listening. So when it finally happened, my subconscious had prepared the whole thing.

  • Initially, I didn't start out to be a member of a band. I wanted to make films, write plays, books. When I found myself in a band, I wanted to bring some of these ideas into it. We never did much with it, though.

  • People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but that's bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if they're afraid to feel? Pain is meant to wake us up. People try to hide their pain. But they're wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. It's all in how you carry it. That's what matters. Pain is a feeling. Your feelings are a part of you. Your own reality. If you feel ashamed of them, and hide them, you're letting society destroy your reality. You should stand up for your right to feel your pain.

  • I think there's a whole region of images and feelings inside us that rarely are given outlet in daily life. And when they do come out, they can take perverse forms. It's the dark side. Everyone, when he sees it, recognizes the same thing in himself. It's a recognition of forces that rarely see the light of day. The more civilized we get on the surface, the more the other forces make their plea.

  • They claim everyone was born, but I don't recall it. Maybe I was having one of my blackouts.

  • That's what real love amounts to- letting a person be what he really is. Most people love you for who you pretend to be. To keep their love, you keep pretending- performing. You get to love your pretence. It's true, we're locked in an image, an act- and the sad thing is, people get so used to their image, they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it, they feel like you're trying to steal their most precious possession.

  • You could say it's an accident that I was ideally suited for the work I am doing. It's the feeling of a bow string being pulled back for 22 years and suddenly being let go...

  • I like ideas about the breaking away or overthrowing of established order. I am interested in anything about revolt, disorder, chaos, especially activity that seems to have no meaning. It seems to me to be the road towards freedom - external freedom is a way to bring about internal freedom.

  • I like people who shake other people up and make them feel uncomfortable.

  • I'd hate to think I'd stop having anything to do with music, but I think that in the future, I'll tend towards an exclusive film involvement.

  • I get an instinctive feeling for the film media. I think I'll do pretty well at it.

  • I think I was just fed up with the image that had been created around me, which I sometimes consciously, most of the time unconsciously cooperated with. It just got too much for me to really stomach and so I put an end to it in one glorious evening.

  • I wasted a lot of time and energy with the Miami trial. About a year and a half. But I guess it was a valuable experience because before the trial I had a very unrealistic schoolboy attitude about the American judicial system. My eyes have been opened up a bit.

  • The trouble with all these busts is people I know, friends of mine, think it's funny and they like to believe it's true and they accept it; people who don't like me like to believe it because I'm the reincarnation of everything they consider evil. I get hung both ways.

  • I wouldn't mind dying in a plane crash. It'd be a good way to go. I don't want to die in my sleep, or of old age, or OD... I want to feel what it's like. I want to taste it, hear it, smell it. Death is only going to happen to you once; I don't want to miss it.

  • I've always liked reptiles. I used to see the universe as a mammoth snake, and I used to see all the people and objects, landscapes, as little pictures in the facets of their scales. I think peristaltic motion is the basic life movement. Swallowing, digestion, the rhythms of sexual intercourse. We must not forget that the lizard and the snake are identified with the unconscious, with the forces of evil. There's some- thing deep in the human memory that reacts very strongly to reptiles. Even if you've never seen one, the snake embodies everything we fear.

  • I think that more than writing and music, my greatest talent is that I have an instinctive knack of self-image propagation. I was very good at manipulating publicity with a few little phrases like 'erotic politicians'. Having grown up with TV and mass magazines, I knew instinctively what people would catch on to, so I dropped those little jewels here and there, seemingly very innocently; of course, I was just calling signals.

  • I guess that's what I've always wanted to do, even more than being in a band, was working in films. I'd like to write and direct a film of my own. There's one that's all in my head, but I have a film which I made, which hasn't been seen very much. It's called HWY.

  • Each generation wants new symbols, new people, new names. They want to divorce themselves from their predecessors.

  • I always liked the things I read. Of course- they were about me. But they were concentrating on my progenitive organ too much, and weren't paying attention to the fact that I was a fairly healthy young male, who also had something more than the standard arms, legs, ribs, eyes and so on- had a cerebellum, the full equipment. The press always does that.

  • Whoever controls the media, controls the mind.

  • Sometimes...I like to think of the history of rock & roll like the origin of Greek drama. That started out on the threshing floors during the crucial seasons, and was originally a band of acolytes dancing and singing. Then, one day, a possessed person jumped out of the crowd and started imitating a god...

  • I think people go to rock concerts because they enjoy being in crowds. It gives them a feeling of power and security in a strange way. They like to rub up against hundreds of other people that are like them. It reinforces their trip. As a per- former then, I'm just a focus for everyone's attention, because you have to have an excuse to mob together. Otherwise it becomes a riot.

  • I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.

  • Sex is full of lies. The body tries to tell the truth, but it's usually too battered with rules to be heard. We cripple ourselves with lies. Most people have no idea of what they're missing, our society places a supreme value on control, on hiding what you feel. It mocks primitive culture and prides itself on the suppression of natural instincts and impulses.

  • I think we're the band you love to hate- it's been that way from the beginning. We're universally despised, and I kinda relish the whole situation. Why, I don't know: I think we're on a monstrous ego-trip, and people resent it...they hate us because we're so good.

  • For me, it was never really an act, those so-called perfom- ances. It was a life-and-death thing; an attempt to communicate, to involve many people in a private world of thought. I no longer feel I can best do this music through concerts. The belief isn't there.

  • Being onstage, being one of the central figures, I can only see it from my own viewpoint, but then I suddenly saw things as they really are, that I am, to a degree, just a puppet, controlled by a lot of forces I understand only vaguely.

  • I think in art, but especially in films, people are trying to confirm their own existences.

  • The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on and individual level. It's got to happen inside first. You can take away a man's political freedom and you won't hurt him- unless you take away his freedom to feel. That can destroy him. That kind of freedom can't be granted. Nobody can win it for you.

  • The first time I discovered death...me and my mother and father, and my grandmother and grandfather, were driving through the desert at dawn. A truckload of Indians had either hit another car or something- there were Indians scattered all over the highway, bleeding to death. I was just a kid, so I had to stay in the car while my father and grandfather went to check it out. I didn't see nothing- all I saw was funny red paint and people lying around, but I knew something was happening, because I could dig the vibrations of the people around me, and all of a sudden I realized that they didn't know what was happening any more than I did. That was the first time I tasted fear...and I do think, at that moment, the souls of those dead Indians- maybe one or two of them- were just running around, freaking out, and just landed in my soul, and I was like a sponge, ready to sit there and absorb it.
    Po raz pierwszy odkryłem śmierć... Jechałem wraz z rodzicami i dziadkami o świcie przez pustynię. Ciężąrówka wypełniona Indianami albo zderzyła się z samochodem, albo o coś uderzyła - dość, że na całej drodze rozrzucone były ciała, wykrwawiające się na śmierć. Zatrzymaliśmy samochód ... Byłem dzieckiem, więc musiałem zostać w środku, kiedy ojciec z dziadkiem poszli sprawdzić co się stało. Nic nie widziałem - jedynie śmieszną czerwoną farbę i ludzi leżących wokół. Nagle zdałem sobie sprawę, że moi rodzice nie wiedzą nic więcej ode mnie. Wtedy po raz pierwszy poczułem, co to jest strach. Sądzę, że w tej właśnie chwili duchy tych zmarłych Indian - może jednego, albo dwóch - biegały wokół i wylądowały w mojej duszy. Ja byłem jak gąbka - gotów siedzieć tam i wszystko chłonąć.
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